Often I will point them to the BizParentz Foundation (www.bizparentz.org), a California-based
nonprofit that provides “education, advocacy, and charitable support to parents
and children engaged in the entertainment industry.” The foundation has a
wealth of information about child labor laws and regulations as well solid,
common sense advice for parents.
But in conversation, I also have developed a list that I’ve
titled, “What I wish I had known…”
Here it is:
Simple facts of your
new life
This is a
job. Just because your child has a manager and/or an agent, their success
will not mean less work for you as a parent. If anything, it will mean more. They will not
drive/fly/walk/train your child to an audition/callback/rehearsal/show. You are
responsible for that.
“Entertainment”
is first and foremost a business. Your child may be pursuing this because
they love to entertain, but the goal for the producers/production companies
ultimately is profitability and sustainability. You could be working on the
best project in the world today and be on the unemployment line tomorrow. Be
prepared to prepare your child for that inevitability.
Training
is a costly – and necessary – proposition. Kids who perform professionally
are expected to be able to sing, dance, and act. Not being able to do so is to
their disadvantage, and that becomes readily apparent the minute they walk into
an audition. So start looking for people who can help you, and be prepared to
pay. (Advantage: Training is a tax write off in most cases.)
Auditions
Auditions
are tough, no matter how prepared you are.
Look at how your child handles
difficult, stressful, and/or trying situations. Do they hate auditions? Are
they making progress from one to the next? Are they more comfortable? Do they
feel like they’ve learned anything new?
Reality
Check #1: Be prepared for disappointment. Know going in that auditions are
a crapshoot. Chances are that you won’t get the part nine times out of 10, but
all it takes is one.
Audition spaces
are not as fancy as they look. If you think auditions and rehearsals are
held at beautiful, spacious Park Avenue studios, think again. Don’t let the
appearance of the place you are going deceive you; professional shows have been
cast or rehearsed in spaces that ordinarily would be classified as dumps. That
said, be sure to be on the lookout for troubling signs that your child is not
safe or in good hands.
On time
means early, even if you have to wait. Chances are pretty good that
arriving 15 minutes early means you will have to wait 45 minutes to be called,
but it may not. Someone scheduled before you might not show up, and you need to
be prepared.
Reality
Check #2: You will drive three hours for five minutes with someone who may
or may not give you the time of day. That’s one of your biggest adjustments,
given the amount of prep time your child must put into a project.
Arm your
child with the tools necessary to be successful. This means headshots,
shoes, sheet music, notebooks, water, etc. They need to be prepared for every
possible scenario, without being overwhelmed. For parents, wear comfortable
clothes and bring a book/e-reader/hobby of choice. You never know when you’ll
be stuck for two hours with nothing to do.
Don’t
court distractions. It is natural for young performers, especially novice,
nervous ones in a room with other, equally talented kids, to want to show off
their skills. Save your best for the audition instead. This goes for parents,
too. Don’t spend your time talking about your child’s talents, no matter how
multiple and varied they might be.
Reality
Check #3: You likely won’t get feedback. Even though you’re dying to know
what your child could/should have done better, chances are that you’ll hear
nothing. Casting directors, in most cases, simply don’t have or take the time.
That’s my list, but I’ve saved the most important for last: Have fun.
You have a rare opportunity to do something that could end
up being amazing (or not). Yes, it’s a rollercoaster, but it has a tremendous
upside, so enjoy the ride.
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